![]() ![]() In his will, he left the villa and its contents to the city under the condition that a museum be established out of it. The operetta composer owned a villa in Bad Ischl, near Salzburg (see image). For example, he dispensed with a usual happy ending in Paganini and relied on operatic sentiment and pathos. With additional new formats such as the “lyric operetta,” Franz Lehár left a significant mark on the development of the operetta as a genre. Among these is the work that was his international breakthrough and which at the same time created a new kind of “dance operetta,” The Merry Widow (premiere in 1905). His operettas such as The Merry Widow, The Count of Luxemburg, Gipsy Love, Paganini, Der Zarewitsch, The Land of Smiles, and Giuditta are among the most performed of the genre.Īs a main representative of the “Silver Era” of operettas, which is marked by an economic boom and an increasing internationalisation of the Viennese operetta, Lehár composed over 20 operettas. ![]() His works are still very much alive on stages worldwide even today. "Deinen süssen Rosenmund.We have received the following from our RISM contributor Sandra Föger (RISM Austria):Īpmarks the 150th birthday of Franz Lehár."Gern hab ich die Fraun geküsst" (Paganini)."Einmal möcht' ich was Närrisches tun" (Bella Giretti – Pimpinelli)."Niemand liebt dich so wie ich" (Maria Anna Elisa – Paganini)."Mit den Frau'n auf Du und Du" (Bella Giretti – Pimpinelli)."Liebe, du Himmel auf Erden" (Maria Anna Elisa).Set in Lucca, the story concerns the love affair of Niccolò Paganini, the irresistibly charming violinist, with Élisa Bonaparte, the arts and theatre-loving younger sister of Napoleon. Giacomo Pimpinelli, court chamberlain to the princessĬourtiers, soldiers, peasants, servants etc. Maria Anna Elisa, Princess of Lucca and Piombino, sister of Napoleonīella Giretti, a dancer, romantically involved with the prince In 1934 the operetta was adapted into the German film Paganini. They recorded seven numbers from the show for Parlophone Records, including the new number 'Fear Nothing' that Lehár had written for the London production. Cochran at the Lyceum Theatre in London in May 1937, with Tauber as Paganini and Evelyn Laye as Anna Elisa. A new production was mounted in Berlin at the Theater des Westens in April 1930, again with Tauber and Schwarz, and the composer conducting at the opening night on Easter Sunday.Īn English version with lyrics by A. It was the first Lehár operetta specially written for Tauber, who had previously appeared in the composer's Zigeunerliebe in 1920 and Frasquita in 1922 with great success. In the event, Tauber and Schwarz made it a huge success in Berlin, where it ran for three months. The operetta was so coolly received in Vienna that the Berlin impresario, Heinz Saltenberg, was reluctant to mount it at the Deutsches Künstlertheater without guarantees against losses. Tauber's contract with the Berlin State Opera required him to be in Stockholm at the time of the Vienna premiere. ![]() Lehár composed the work as a vehicle for Richard Tauber, the acclaimed Austrian tenor, though he assumed the role (with Vera Schwarz as the princess) in Berlin on 30 January 1926, rather than the Vienna premiere which was at the Johann Strauss Theater on 30 October 1925 with Carl Clewing in the title role. The German libretto was by Paul Knepler and Bela Jenbach. Paganini is an operetta in three acts by Franz Lehár.
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